My dramaturgical practice sits on the overlap between text and scenography, and I am fascinated by the machinery of the stage image as the means by which meaning is made. Alongside original writing I have adapted novels and other non-theatrical works for the stage, including On Chesil Beach and The Bell Jar. I have also assisted companies to structure devising processes and participated in creative projects as a critical friend. I am currently completing a masters in dramaturgy at Birkbeck, University of London.

Previous
Previous

Directing

Next
Next

Education